Posts Tagged RMFW online classes
Today I’m embarking on a second Rocky Mountain Fiction Writers’ workshop via yahoogroups, Editing and Revising for Fiction Writers. So far the number of participants seems more manageable than the Heros, Henchman and Sidekick class I took recently. The class length is a bit longer, and there are a few more self-identified mainstream writers. My first problem is to pick a manuscript to work on. The first assignment, though, is to write for twenty minutes without censoring ourselves, so the necessity of picking a manuscript can be put off a day or two.
Meantime, I’ve been checking out some of the online college courses to see how they compare to The Great Courses. As one of the drawbacks of The Great Courses is the cost, I was trying to find free college courses on the web, mostly because I’d heard talk of such. Here is an overview of what I’ve found so far, although I have not taken any of these courses. I did find a few other sites that wanted all sorts of information before you could view offerings; I did not look into their offerings.
Coursera: There are plenty of subjects and classes listed. When I put “creative writing” in the search field, the only class that came up was a Writing Like Mozart class that sounded like it was geared to music.
TED: Under the heading of writing, 33 talks came up. From my brief scan it looked like most of those related to writing were of the inspirational sort and on the short side, making them easy to fit in during down times. They included ones like this: J.K. Rowling: the fringe benefits of failure. This youtube video may be the same or slightly different:
edX.org: has free classes and many interesting ones, although when searching the topic of writing, the ones I found were not currently offered. Another interesting looking class was taught in Mandarin.
This website could also be useful when looking for free online classes: MOOCS: Top Ten Sites for Free Education with Elite Universities. When I followed the links, I came up with UCLA. Unfortunately, all the courses I checked on writing had a fee, the lowest of which was $145.
I hope to have some time in the future to check out a few of these offerings and continue my search for information on the web. I would, though, be very interested in hearing what courses you have tried and what luck you’ve had finding inexpensive or free programs.
I just completed my first online class through Rocky Mountain Fiction Writers. I’ve taken online classes of various sorts before, two through Mid-American Review, another one or two through a large nationally known commercial writing school. This recent class was by far the most inexpensive and possibly the shortest in duration. The class, Heroes, Henchmen, and Sidekicks, presented by Angie Hodapp, was an expansion of a workshop she’d presented at the Colorado Gold conference in September. The class was just what I needed to spark my attempts at revising the mess of a novel I’d written a few years ago during NaNoWriMo.
At first I hadn’t been sure I wanted to spend time on an online course. The last one I’d taken had cost me something like six weeks take home pay and in the end I came away with little other than some praise from the leader. He called my novel “heartbreaking,” which I considered a good thing, but the rest of the class had been a waste of time, and, unfortunately, money. When I realized how little this RMFW class cost, though, I decided I might as well give it a go. It helped that another member of my writing group had also signed up.
As I say, overall I’m happy with the information presented and the spur it gave to my revision, but some other, more procedural or technical, aspects of the course just didn’t work for me. Every other course I’ve taken had a reasonably easy way to follow discussions, even if some of them took a bit of getting adjusted. This class utilized the yahoo platform, probably due to the availability and, I’m assuming, low (free) cost. I spend much of the first day or two trying to figure out the platform, and after some instruction by the leader and other class members, I could make some sense of the board. Still, it was very difficult to follow discussions, probably because other participates also didn’t know how to utilize the system, and because the workshop had something like 49 participants! Unwieldy on any platform, I suspect.
Elsewhere on this blog I’ve mentioned for me, a successful writing event, whether an online course, a workshop, or a retreat, is if I come away with a new writing friend, or contact. With the unwieldy number of participates in the course, it is understandable why this didn’t happen. It is hard to make connections when you can’t find the person you were originally talking to! Prior to sharing any writing, one of the other class members who lives in my immediate geographic area asked if I participated in a writing group. I told her the rudimentary details of WURDZ, gave her my email address, and heard nothing.
Another reason I did not forge a new friendship is that almost every other person seemed to be writing in a genre that I wasn’t. The predominate genre seemed to be fantasy, with historical fiction or YA the second most common category, and usually YA fantasy. Even though I may not have read every single introduction–hard to keep track when they appeared all over the place and days after the class started–I didn’t see a single “women’s fiction” writer. One other person said she wrote mainstream fiction, but after reading her first assignment, I suggested she might be writing more of a thriller, and since it usually seems easier to sell something if you can file it under a specific genre, maybe she should consider that.
Angie had mentioned doing a longer version of this course, and I think that would be helpful as cramming in six lessons in two weeks when you have to go to work, read material for your writing group, do your own writing, as well as live you usual life, is a bit much. Even though I more or less stopped writing down the lessons, I read over each and thought how I would use the information in my revisions.
For the time being, I’m toying with the idea of taking the next online class offered by RMFW–Editing and Revision for Fiction Writers. With decreased expectations of finding a like-minded writing companion, I might be freer to learn and enjoy. Possibly I’ll have a heads up on the class platform as well.
I’d be interested in hearing of online schools or classes you’ve participated in and what you felt you got out of them. Were they useful? Did you make writing friends? Please leave a comment, and check out the RMFW classes, too. One may be just right for you.