WordPress has changed from when I blogged two years ago. And really, I’m not sure it is easier to use. I just now was trying to find a specific post so I could update it and had to scroll through every post I’d ever written, and I’ve had three blogs. One was very short lived, this one, and one on a totally different topic. I couldn’t find the post I wanted.
I was going through my posts to check to see if I had links to stories on the web since I just found another broken link and the journal has no archives. I found a second story that the link was broken and again, but this time I found the archives. It took me awhile to find the entry, and for awhile I was wondering if I’d made up that first internet publication, but finally I found it. Here is the corrected link. http://tclj.toasted-cheese.com/2005/5-3/hazards-of-light-by-c-a-cole/
My next venture was into a class with a title something like Thirty Stories in Thirty Days. I figured this was to write flash. I hadn’t written much flash in the last year or two and my stockpile was very low. So it seemed like a good idea as well as a challenge. The leader for this class was friendly and enthusiastic but not very involved.
At the start of the week, he posted the assignments for that week with an introduction. Some of the ideas were truly fun, some odd, and a few things I just didn’t want to do. But no worries because you could reuse one of the prompts to keep up with your stories if you wanted. The most useful exercise involved writing from posted photos with a link to random photos of the day. This exercise worked well for me since I could check a large number of interesting and odd photos until one struck me. If I could remember the link to this page, I would go back to it and use it. Alas, it seems to be lost. Although I found others on the web, none of them featured photos as interesting.
Although the exercises for this class were interesting, I did not find the overall class very enjoyable and eventually quit. The enrollment was small. As for interaction in the form of comments on the mostly very short pieces posted, the only people who commented were two participants I already “knew” from the One Story classes. I did start out commenting on other people’s stuff, but when the favor is not returned, I feel like my comments are not welcome and my effort is wasted, so I stop.
A friend from my next foray into workshops reported that he signed up for a class through this site and had a similar experience. Most of the participants had quit before the class was finished. Because there was little back and forth between you and anyone else in the class, it is hard to rate the platform, but for a small class it appeared to be adequate. The group does offer many interesting sounding classes such as Create a Book Trailer and their prices are reasonable.
Shortly after the WFWA workshop ended, I started the first of three One Story workshops. The first, Write a Short Story with Hannah Tinti presented a method to write a complete short story in a few days. It was fun, although I think it might have worked better if you had characters or a situation in mind before you started. I did end up with a complete but short piece, although I’m not sure how much I really like it.
For me, the platform the class used was a bit overwhelming. I have no idea how many people were taking this class. People posted the new bits of their story and others commented, but this seemed to be a jumble, with so many storylines and so many people, it was hard to keep track whose character was in which story. Eventually I more or less randomly chose a few participants to focus on. If others were kind enough to comment on my submissions, I returned the favor. This soon narrowed the number of people I was following to a more reasonable number, although it was still a jumble with no real flow that I could determine.
I did figure out a few other “tricks.” To get your submission to appear near the top of the list, it was good to comment on everyone’s comment, even if only to thank them. Eventually I also figure out there was a way to mark all the comments you had read so you could see what was new. And of course, the best way to get others to comment was to comment on their submissions.
The next class was Become Your Own Best Editor where the participants read an initial submission, subsequent editorial comments and the changes the author made to the piece up through the final printed version. There were probably fewer participants in this class and in this case it wasn’t quite as necessary to keep the continuity with who said what where. My personal take-away was I really don’t want to be an editor because I was bored rereading the same story over and over. Hannah Tinti and the other editor involved both made insightful comments that apply to most any story rewrite. This workshop has been offered using a different story published in One Story with a different editor so could be taken a second time.
From Character to Story:A Craft Intensive with Editor Patrick Ryan also offered some useful tips. By this time I was familiar with a number of the other participants and it was easy to look for them and read their comments.
The next offering from One Story starts on March 11, My Evil Twin is an Editor, or What the Soaps Taught Me About Writing.
These classes have varied in their helpfulness, but are good for connecting with other writers. Probably which class you’d find most insightful would depend on where you are in your writing career. It should be noted that many known names and people with much success enroll in these courses as well as people who have not written much.
I’m not wild about the platform and the number of participants, but if chaos doesn’t bother you or you don’t want to interact, these may work equally well for you. For some people the amount of work/number of lessons in a short period of time can be difficult, too.
Since I stopped regularly blogging at the end of 2014, I’ve taken numerous online writing courses/workshops from a number of sources. Possibly my thoughts on some of the classes would be of interest or use to other writers. I will present each class in chronological order and follow up with a post on which I found most helpful and why.
Early in 2015 I did a workshop with Donald Maass through the Womens’ Fiction Writers Association. Improvements were made in the platform used for this workshop last year so it was a little easier to keep track of what you’d read by whom. Mr. Maass did manage to comment on most people’s assignments, too. Each year has a slightly different focus, so it is worth retaking each year.This is the information directly from the WFWA website:
Some manuscripts sparkle and gleam. What not only catches the eyes of agents and editors but holds them in thrall all the way through? What signals “commercial” to industry types? How can you give your project that radiance without compromising its integrity?
Topics will include:
High concept elements that don’t feel cheap.
Why readers really fall in love with protagonists.
Story worlds we don’t want to leave.
Entertaining versus illuminating.
Voices we hear versus voices we ignore.
This is a hands-on workshop with five writing assignments spread over two weeks. Presented by New York literary agent and teacher Donald Maass, author of Writing the Breakout Novel, Writing the Breakout Novel Workbook, The Fire in Fiction and Writing 21st Century Fiction.
Registration open from February 15 through March 10.
This year’s workshop runs from March 14-March 26. The cost is a reasonable $45 but you do have to first belong to the association. Dues for that are $48.
Here is the link to join: http://womensfictionwriters.org/about.php
Today I found a call for submissions for a podcast where previously published work is considered. I liked this idea and looked for what I had that met the 800 word limit. (It did say longer might be considered.) Because I wasn’t sure if the copy of the two pieces I identified as ones to send matched what had been published, I checked online. While doing this, I realized I apparently hadn’t seen the final publications. To my surprise, on Tattoos Across the Universe there were three positive comments. This just reminds me of the potential benefits from online submissions. Someone may actually read them! And comment!!! People could read my stories in print publications, but I’m unlikely to ever know.
Unfortunately, the other piece, Trip to Oz in NonBinary Review, requires a special app. I downloaded it once but couldn’t get it to work. I’ll have to try again but don’t think I’m able to link it here. Maybe if it is accepted for the podcast….
Sometimes I forget that I published a piece in a journal. Sometimes I wonder if I’m remembering wrong, especially when I search the archives of said journal and nothing shows up. When that happened today I googled away and after about six attempts, I finally got the piece to show up.
Now I’m posting the link to the story so I don’t lose it again.
My friend Celia died young. She left two young daughters as well as a number of good friends. She had many varied interests in life. She was a wood carver/sculptor. I once said to her that she was lucky because with sculpting vs writing, she could leave her creations out and people would notice them. She laughed and said hardly anyone ever said anything about them.
Today is the 24th anniversary of her death, and in honor of her talent and lack of recognition I am posting two photos of wood she sculpted.