Posts Tagged critique groups
I recently quit an online critique group. The other three women in the group were excellent critiquers so it was a hard decision to make.
One of my difficulties with the online group was the platform we were using, yahoo.groups. I have used this platform for classes and found it daunting. I couldn’t easily follow any conversation, partly because people would start new topics when merely responding to a previous post. This happened in my most recent group as well.
A disappointment with the group was that we didn’t interact around points made about each others’ work. In my live group, someone may complain about the premise of a story. The others chime in and agree or disagree, make new points, etc. The author may also ask a question or explain what he or she was attempting. Either of those scenarios may result in more discussion between the members. Sometimes this sort of conversation helps the writer see where something went wrong or find a solution for a perceived problem. Not doing any of this made the group feel more like individual beta readers. True, we posted our critiques and the other participants could read comments, and yes, that has some appeal and advantages, but I believe the interplay of the various readers is both fun, enlightening, and engaging. And this interplay, more than the shared work, might eventually develop friendships.
I’ve been following Writers’ Rumpus for awhile now, and as part of the weekly digest I noticed Marianne Knowle’s interview with a woman who has started a website set up for critiques. I glanced at the sample pages, and it looks like it might be useful. I’m wondering if any of my readers has used the site, Inked Voices, or if anyone has another site or method to recommend for online critiquing?
I just read a long and interesting blog post on types of critique groups. I especially appreciated this post because one of Anne R. Allen’s three main points of advice is to “consider the source” when you are deciding what weight to put on specific comments. For years, I’ve been loathe to enter writing contests and ask for a critique, for this very reason–I don’t know who is doing the scoring and making the suggestions. Is it an elderly woman who writes poetry for her cat or a twelve year old writing space opera? To me, it matters. Of course, either of those two could give very sage advice, but it might not fit the type of story I write.
My post today isn’t about critique groups or writing contests, but about the large organizations writers belong to. I’ve recently joined the Women’s Fiction Writers Association. My favorite part of this group is the Industry News they send out to members every Sunday. This digest includes links to blogs and articles on publishing, craft, agents, marketing, and other topics. Quite possibly this digest alone is worth the cost of joining this association. (I suppose, in the interest of “full disclosure,” I should mention that a post from this blog was referenced a few weeks ago. It certainly increased my readership, if only for that week.) The blog on critique groups mentioned above was one of the suggested reads yesterday.
If you happen to write something that might be called women’s fiction, you might consider joining this organization. Started only last year, there are already close to 350 members, including agents such as Donald Maass and a number of published authors. The group is planning a retreat for fall of 2015 and has offered numerous online workshops.
I also belong to the Rocky Mountain Fiction Writers. I’ve belonged to this local/state group on and off for years. They offer workshops in the Denver area and on the Western Slope, as well as online. Other resources include a blog and a monthly newsletter, plus a yearly conference, which is being held Sept 5-7 this year. According to an email sent this morning, there are only 49 slots left for the conference.
RMFW offers critique groups both in person and online. I attended a few meetings of a local group through RMFW a number of years ago, but the process they used didn’t work well for me. I do believe a woman who was in attendance at the first meeting I visited has gone on to be a well-known fantasy writer, so obviously the critique method works for others. The WFWA is in the process of setting up more online critique partnerships or groups.
There are numerous other local, state, or national writing organizations that provide different services. What writing organizations do you belong to? What do they offer, and which would you recommend?